Las óleos de todo LE SUEUR, Eustache
ID Image  Painting (From A to Z)       Details 
7831  
LE SUEUR, Eustache, A Gathering of Friends af
  		 A Gathering of Friends af   1640-42 Oil on canvas, 127 x 195 cm Mus??e du Louvre, Paris
20622  
LE SUEUR, Eustache, St Bruno Examining a Drawing of the Baths of Diocletian Location of the Future Charterhouse of Rome (mk05)
  		 St Bruno Examining a Drawing of the Baths of Diocletian Location of the Future Charterhouse of Rome (mk05)   Wood 64 x 45''(162 x 114 cm)Fragment One of a series of paintings placed in the corners of the small cloister at the Charterhouse of Paris and which,according to tradition evoked the charterhouses of Rome,Paris,Pavia,and Grenoble Seized in the Revolution INV
7834  
LE SUEUR, Eustache, The Muse Terpsichore wf
  		 The Muse Terpsichore wf   1652-55 Oil on panel, 116 x 74 cm Mus??e du Louvre, Paris
29633  
LE SUEUR, Eustache, The Muses: Clio, Euterpe and Thalia
  		 The Muses: Clio, Euterpe and Thalia   1652-55 Oil on wood, 130 x 130 cm
7832  
LE SUEUR, Eustache, The Muses: Clio, Euterpe and Thalia dh
  		 The Muses: Clio, Euterpe and Thalia dh   1652-55 Oil on wood, 130 x 130 cm Mus??e du Louvre, Paris
29634  
LE SUEUR, Eustache, The Muses: Melpomene, Erato and Polymnia
  		 The Muses: Melpomene, Erato and Polymnia   1652-55 Oil on canvas, 130 x 130 cm
7833  
LE SUEUR, Eustache, The Muses: Melpomene, Erato and Polymnia sf
  		 The Muses: Melpomene, Erato and Polymnia sf   1652-55 Oil on canvas, 130 x 130 cm Mus??e du Louvre, Paris
LE SUEUR, Eustache
French painter (b. 1616/17, Paris, d. 1655, Paris). French painter and draughtsman. He was one of the most important painters of historical, mythological and religious pictures in 17th-century France and one of the founders of French classicism. He was long considered the 'French Raphael' and the equal of Nicolas Poussin and Charles Le Brun. His reputation reached its zenith in the first half of the 19th century, but since then it has been in decline, largely as a result of the simplified and saccharine image of the man and his art created by Romantic writers and painters. Nevertheless, more recent recognition of the complexity of his art has resulted in a new interest in him and in his place in the evolution of French painting in the 17th century. Despite the almost total absence of signed and dated works, the chronology of Le Sueur's oeuvre can be established with the aid of a few surviving contracts,



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